ANTHONY BRAXTON- The Charlie Parker Project

Braxton uses the melodies and some of the original structures of such tunes as "Hot House," "Night in Tunisia," "Bebop," and "Ko Ko" as the basis for colorful and often-stunning improvisations. He does not feel restricted to the old boundaries of the 1940s and '50s, preferring to pay tribute to the spirit and chance-taking of Charlie Parker rather than to merely recreate the past. The passionate and unpredictable results are quite stimulating and full of surprises, fresh ideas and wit. It's highly recommended to those jazz followers who have very open ears. By Scott Yanow AMG

Link:
http://rapidshare.com/files/230245158/Anthony_Braxton_s_Charlie_Parker_Project_1993.rar

WILLIAM PARKER CLARINET TRIO- Bob's Pink Cadillac

Few instruments would seem as ill-suited as clarinet, with its fragile tone and fussy fingering, to the raucous, high-volume climate of the 1960s avant-garde. Yet Perry Robinson cut out a niche for himself in that heady period playing with the likes of Archie Shepp and Carla Bley. That some four decades later he still has the chops to keep pace with a new generation of progressives is evident as he steps forward in a feature role with bassist, composer, and impresario William Parker. The trio session -- the ensemble filled out by drummer Walter Perkins -- offers plenty of room for unfettered blowing, and each member takes full advantage of the format. Robinson has a stiletto tone that if it evokes any other licorice sticker it would be iconoclast Pee Wee Russell. Parker has a rich sound that resonates from the finest grain of his acoustic bass. And Walter Perkins proves to be exactly the flexible groove master needed for a date that ranges from free blowouts to the traditional blues of "Blue Flower." The full resources of the trio are explored most fully on "Fence in the Snow," which opens with delicate bells and has, before it ends, each member stretching his capabilities to the point of shouts and sonic explosions. by David Dupont AMG

Link:
http://rapidshare.com/files/255540754/Bob_s_Pink_Cadillac__Disc_1_.rar

FRANZ KOGLMANN & LEE KONITZ- We Thought About Duke

This is definitely one of the more daring Ellington tributes that came out of the '90s. Instead of inundating us with standards that we've heard time and time again, Koglmann provides arrangements of such underexposed Ellington pieces as "Love Is in My Heart," "Zweet Zurzday" (which he co-wrote with Strayhorn), and "Lament for Javanette." In fact, one could be a serious Ellington enthusiast and be unfamiliar with these compositions. The best-known song on the CD is "The Mooche," which Ellington unveiled in 1928. Although "The Mooche" can hardly be considered obscure, it hasn't been done to death à la "In a Mellow Tone" or "Cotton Tail." Koglmann's arrangements have strong classical/chamber music leanings, and his admiration for Gil Evans is evident. For those seeking an Ellington tribute that is adventurous rather than conventional, We Thought About Duke is highly recommended.
Alex Henderson AMG

Link:
http://www.mediafire.com/?vv3nzv1zmnf

GLENN GOULD- Goldberg Variations 1955

Now is a good a time as any to post Glenn Gould's landmark 1955 GOLDBERG VARIATIONS, as startling a debut in music as any, comparable to Bob Dylan or the Beatles. Gould represents pure intellectual (and jokey) energy as well as a particular kind of quirky secular culture that was all the rage in the supposedly conformist '50s. This was the age of Holden Caufield and James Dean, not to mention Thelonious Monk and Jackson Pollock. Gould fits in with all of them. (So u nd so up)

Link:
http://www.mediafire.com/download.php?n2mccltgblt

OMAR SOSA (DUO)- Ayaguna

This time, Sosa forms an intimate duo with Venezuelan drummer Gustavo Ovalles, who plays a variety of Latin percussion...Sosa is a lively yet lyrical improviser who combines Latin and African elements with the influence of McCoy Tyner, Chick Corea, and George Duke (among others). And because he doesn't have a whole ensemble to worry about at this Japanese concert, his playing tends to be especially free-spirited and uninhibited. Ayaguna is a pleasing addition to Sosa's catalog. by Alex Henderson AMG

Link:
http://rapidshare.com/files/122977772/Ayaguna.rar

WYNTON MARSALIS QUARTET- Live at Blues Alley 1986

This double album features the great trumpeter Wynton Marsalis and his 1986 quartet, a unit featuring pianist Marcus Roberts, bassist Robert Hurst and drummer Jeff "Tain" Watts. Although Marsalis during this period still hinted strongly at Miles Davis, his own musical personality was starting to finally shine through. With the versatile Marcus Roberts (who thus far has been the most significant graduate from Marsalis's groups), Wynton Marsalis was beginning to explore older material, including on this set "Just Friends," and "Do You Know What It Means to Miss New Orleans?" other highlights include lengthy workouts on "Au Privave" and Kenny Kirkland's "Chambers of Tain." This two-fer is Highly Recommended. By Scott Yanow AMG

Link:
http://rapidshare.com/files/275233681/W_M_Q_-_L_a_B_A_6.rar

MISHA MENGELBERG TRIO- Who's Bridge

Dutch pianist Misha Mengelberg is in full reverie with this trio. He is teamed with Americans Brad Jones (bass) and Joey Baron (drums), who pretty much act as Mengelberg's supporting cast, never getting too rhythmically flashy. The pianist's sound is a witty combination of modern harmonic invention and melodic improvisational forays into Cecil Taylor territory. Many tuneful compositions crop up during the 11 tracks, all Mengelberg originals. Each composition is a great example of the pianist's enormous musicianship. This is Mengelberg's finest hour. (AMG)

Link:
http://www.megaupload.com/?d=UP5JD1NG

STAX OF FUNK: VOL 1

Stax of Funk makes a welcome switch to the company's harder-edged, funk-based material from the era, much of it pretty obscure, whether it's by well-known artists or not. There are a bunch of familiar names on this 21-cut-strong comp, including Rufus Thomas, the Bar Kays, Kim Weston, Jean Knight, the Sweet Inspirations, and Inez Foxx, although they're outweighed by the less renowned ones. Those include a couple of figures you wouldn't automatically peg as funksters: Roy Lee Johnson, more famous as the Dr. Feelgood who did the original version of the Beatles' "Mr. Moonlight," and film director Melvin Van Peebles. Regardless of the collectability of the originals, this is quality soul-funk, with more song-oriented and pop-friendly leanings than much funk, though not so much so as to dilute the grit. Some of the stronger numbers include Knight's "Do Me," something of a womanly counterpoint to Bill Withers' "Use Me"; Bobby Holley's James Brown-ish "Movin' Dancer"; Kim Weston's "Brothers and Sisters (Get Together)," with the vogueish, socially conscious soul lyrics of the early 1970s; Little Sonny's "Eli's Pork Chop," which puts his blues harmonica to a funk beat without sounding like a gimmick; and Harvey Scales' "Broadway Freeze," which offers more James Brown-isms. The collection's unequivocally recommended to both funk and Stax fans. [This U.K. import is not available for sale in North America.] by Richie Unterberger AMG

Link:
http://rapidshare.com/files/274102374/2000_-_Stax_of_Funk_Vol_1-The_Funky_Truth.rar

MARK LANEGAN- Bubblegum

Oh, and in case you were wondering, the album's title refers not to teen-centric pop music, but a line from his song "Bombed": "When I'm bombed, I stretch like bubblegum/And look too long straight at the morning sun." But Lanegan was also of a mind to rock out a bit while making this album (or figured that his newer fans were expecting it of him), and with his QOTSA pals Josh Homme and Nick Oliveri helping out on a few cuts, he does indeed deliver the rock, most notably the clanking menace of "Methamphetamine Blues," the straightforward bash of "Sideways in Reverse," and the organ-driven ooze of "Hit the City" (featuring PJ Harvey in an inspired duet appearance). But while most guys making a solo album after a stint with a successful band create music that speaks of freedom and release, Bubblegum finds Lanegan digging ever deeper into the obsessions and appetites that drag him into the same corner every time. It sure doesn't sound like a life most of us would wish to lead, but it makes for damned compelling art, and the dank emotional caverns of Bubblegum offer some territory well worth exploring for the strong-willed.
by Mark Deming AMG

Link:
www.megaupload.com/?d=3TJ9II31

HELIOCENTRICS- Out There

It's an inspired mix of cinematic hip-hop instrumentals and Sun Ra-style jazz exotica with horns and percussion a-plenty. Some of the shorter tracks serve more as interludes, sometimes using spoken samples from film that all relate to the concept of a journey "out there" to the cosmos and back, but the vast majority of the album is instrumental. It's more about the grooves than the solos, although flutist Jack Yglesias and synth player Mike Burnham have some really nice moments. Speaking of the groove, drummer Malcolm Catto and bass player Jake Ferguson keep it solid, aided on percussion by practically everyone else in the band. If funky beats, riffing saxophones, and an anything-can-happen mentality strikes your fancy, you might want to give a listen to the Heliocentrics. by Sean Westergaard AMG

Link:
http://www.zshare.net/download/55827405e707e8fd/

NATURAL YOGURT BAND- Away With Melancholy

“Authentic, psychedelic library vibes from the golden era meticulously recreated in the new millennium.”
EGON - STONES THROW RECORDS




Link:
http://rapidshare.com/files/145651490/The_Natural_Yogurt_Band_-_Away_With_Meloncholy__2008_.zip

PSYCH-FUNK 101

"The tracks are funky and experimental and cool enough to appeal to a music fan looking for new sounds, but obscure enough to teach even a seasoned crate-digger a couple of things." -Marisa Brown AMG



Link:
www.mediafire.com/?3lz2qnvmnnv